Sunday, September 13, 2020

 


From Muddy River Poetry Review

Katherine Szpekman - Late for Basketball Practice

line breaks lost!

Katherine Szpekman Late for Basketball Practice There you stand on the driveway in your white socks, holding your sneakers looking at me like you don’t know who I am or why I am shouting to you hurry up my boy, now almost a man. I watch you put it together like Lego blocks – grab water bottle, get shoes on, get in car, and I remember the smell of your downy head, the tingle and swell of milk as we rode the waves, in the green rocking chair, held in a warm ocean of darkness. You hop in, on long legs of muscle and fur, slam the door a little too hard, as always. This time, I don’t correct. You caress the orange globe in your lap, fingertips read its pebbled surface, palms slide over black lines of longitude. Your scent is salty and mossy, like seaweed and wet leaves in fall. You have joined a new tribe. Sweat beads on your forehead, whiskers have sprouted on your face, and your jaw sits sculpted and determined. We drive in silence, like passengers on a bus getting off at different stops. The day’s last brush strokes sweep pink and scarlet, orange and gold. Twilight is but moments away

Saturday, August 29, 2020

 

Four Disconnected Truths About My Father

by James Tadd Adcox December 20, 2009

i.
My father calls me on the phone. It’s been years since I last talked with him. He asks me how I am, asks how’s the wife, how’s our kid. He says he was watching TV and he saw an ad for a local college and started to think of me. I wonder if he’s a little drunk. His mood changes, he’s quiet for a long time while I talk, and then he tells me that all my education ever did was make me think I was too good for people.

ii.
When I was younger, right after my father left, my mother would make maps for me and my brother to go on treasure hunts. She would crumple up pieces of paper and soak them overnight in water with a little yellow food-coloring, then, when they dried out, she would draw a map of our neighborhood, changing the objects around us through the labels on the map: storm drains became dungeons, the cul-de-sac on which we lived became the Dead Sea, etc. The illusion, my brother and I discovered, could be kept up only so long as we didn’t find the treasure – because the treasures were inevitably something we didn’t particularly want or care about, a toy from a Crackerjack box, a piece of old candy, sandwiches wrapped in foil…

iii.
When I was twelve years old, someone broke into our house while we were away for the weekend, shattering the window downstairs and stealing, in addition to most of my mother’s jewelry, several of her dresses. My mother was convinced, for some reason, that it had been my father – even after the police apprehended another man, who had carried out similarly bizarre robberies in the area, and, as it turned out, whose fingerprints were found on one of my mother’s dresser drawers. Years from now, after my father has died and my mother is living in an assisted-care facility, when my wife and I visit her, my mother will speak in a whisper about “that time your father broke into our house.”

iv.
When I was in college, late at night, drunk, I would sometimes call my father. He never picked up. Usually I ended up talking to the machine, and I would spend the minute or so before it stopped recording telling it, point by point, the wrongs my father had done us: the months without responding to calls from me or my brother; the times, when we were younger, when he was supposed to pick us up for the weekend when he simply didn’t show; the forgotten birthdays, forgotten Christmases, forgotten Easters, etc. Once in a while my father’s new wife would pick up. She must have worked at night – she always seemed wide awake, even if it were one or two o’clock in the morning, and was always faultlessly polite. “I’ll tell him you called,” she’d say. “I know he’s always glad to hear from you. He talks about you and your brother all the time.”

Monday, December 16, 2019

Just a collection of inspiring writing examples



The Art of Dying
https://www.newyorker.com/magazine/2019/12/23/the-art-of-dying?verso=true


Kenyon Review


Gulf Coast



Electric Literature


Friday, August 31, 2018

Problems with Star Trek



The list so far -


1  Weekly trauma. Every 7 days the highest ranking officers on the Enterprise are subjected to terrible danger or significant stress. Those events are usually life threatening. But nobody shows signs of PTS.

2  The highest ranking officers survive every terrible event thrown at them. Only minor crew members get killed - crew members we've never seen before.

3  Every single alien the Enterprise encounters is 'humanoid' in appearance. 

4  Every alien has a mouth and communicates by sound. There's never any reference to how the translation into english happens. The translation is automatic, smooth and accurate - no problems with stuff getting lost in translation or encounters with aliens who DON'T communicate via sound.

5  The technology on the ship is similiar to current technology - how come touch screens and tablets are still in use that far into the future?

6  The Klingons have figured out cloaking technology, but the rest of the Federation hasn't. After the Klingons joined the federation why didn't they share their cloaking technology with others?

7  No-one is ever shown using the holodeck for sex. In an emergency people will walk in and interrupt officers in the middle of a holodeck session - they never catch them out having virtual sex - no-one is concerned about PRIVACY.

8 Have viewers seen every part of the ship? Sometimes the main characters walk down a corridor past unknown crew members. Where are those minor characters going?  What job do they perform? Example - Are they on the way to a huge 'laundry' room where uniforms are steam cleaned ?

Friday, March 30, 2018

Alicia Gifford's Blog

See Links to stories - where are you NOW Alicia?





Alicia's Blah Blah Blah:



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Saturday, March 7, 2015

Back to the writing


Trying again to overcome resistance and fear. Trying to stick to a daily writing habit.  Feeling inspired by the exercises in a gem of a book by Dorothea Brande - Becoming a Writer.  

First exercise - write first thing every morning, before you do anything else. Without Fail. Write anything. And if you get stuck just write 'I Can't Think of Anything to Write' again and again, until boredom forces your brain to stop farting around and get to work.

I started writing in an old diary - feeling good about the way I could churn out 5-6 pages every morning. I scribbled out memories and how I felt about stuff. Then moved to writing out scenes and ideas for stories still floating in my head. And discovered (once again) that the act of writing really really helps the brain to solve problems. Possibilities come up - possibilities that wouldn't have risen up if I'd just been staring in space thinking about a problem. So I've been churning out tiny story scenes instead of stream of consciousness stuff.

Then I decided to type out the morning pages in a secret blog. So I can add tags and find stuff later. Also - hand written scrawl doesn't look like 'real' writing to me. 

Some mornings I type out a few sentences on the iphone on the way to work. Because the morning writing session got me inspired and I want to keep experimenting. Even though I might have woken up with No Desire At All to write.

This morning I copied out a section from a short story by Jean Bedford - Through Road. It was a long paragraph showing the thoughts of woman who at that moment is feeling rage and resentment towards her husband. There's a long flow of angry thoughts - and then she laughs at herself and the story has an upbeat ending. Decided to re-work this for a scene in one of my stories.  I love the sense of thoughts flooding out, the way significant moments across many years are linked. But in my story the girl will suddenly see reality and the relationship will end.  There's pain, but also relief about finally being able to let go. 

AND - Thanks to Jean Bedford I realised the back story I wanted to put at the start of the story can be there in the girl's thoughts at the end instead. The back story won't be an info dump because it will show why the girl is so sad and angry.





Saturday, September 27, 2014

Make Back Story the hook


I came back to a short story I read in Strange Horizons. The opening paragraphs really stuck with me. 

Interesting how the writer Rich Larson starts with 'back story' and piles on the adjectives - two things the learner writer is told to avoid. 

The back story works for me because it raises questions : Why has Cedric come to work at this place? Why did he run away from his father and then his girl friend? What went wrong with his relationship? What happened before he arrived at the rig?

Rich uses vivid poetic language that paints an alien and dark scene.

Back story works when there are gaps in the facts provided - and those gaps intrigue the reader.

In Baltic waters, gnashed by dark waves, there stood an old oil platform on rusted legs. It was populated as rigs always are, by coarse men young and strong whose faces soon overgrew with bristle and bloat. Cedric was one of these.
He’d fled his father in New Zealand, then a pregnant girlfriend in Perth, arriving on the rig with insomniac eyes and an inchoate smile and a bank account in need of filling. In the pocket of his dull blue coverall, he carried an old Kindle with a spider-webbed screen and a Polaroid photograph of Violet when she was still slim and still laughed.
His days were filled by the slow geometry of pipefitting, the bone-deep clank of machinery, the shrieks and swoops of soot-stained gulls. At night, when the running lights cast wavery orange on the black water and a sea-breeze scoured at the omnipresent stench of oil, Cedric thought the rig was not so bad. At night he read Moby Dick and anything else vaguely nautical. At night, Violet was blurred beautiful by the webcam window, distended curve of her stomach cropped neatly away, and he nearly loved her again.
Some nights, Cedric stayed up top for hours to watch the starless sky and the ink-black sea. Dregs from this or that leak shimmered around the derrick’s legs. Scabs of tangled plastic bobbed between them. Some nights, Cedric thought he saw a shape moving in the water, but he knew all fish had fled long ago.

Strange Horizons Fiction: The Air We Breathe Is Stormy, Stormy, by Rich Larson:



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Flash Fiction Challenge: One Amazing Sentence « terribleminds: chuck wendig



This week's challenge from Terribleminds - write one amazing sentence.

I've discovered that revenge is a dish you should serve when it's still hot.

Flash Fiction Challenge: One Amazing Sentence « terribleminds: chuck wendig:



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Friday, June 13, 2014

Stuck

I keep coming back to the flash about the girl who suddenly realises (finally admits?) her boy friend doesn't love her. I've got loads of writing 'doodles', some moments I like, but nothing to show in an interesting way, that things have changed.

I'm in love with the story title - Now I just need to find an actual story to attach it to.

In all my drafts the girl is seeing stuff and reacting internally. Then there's this moment of shock and revelation. And then what? She can't just turn to her boy friend and say "today I realised your guru is a sleazy little creep, a fake. He's as fake as our relationship. I don't want to be with you anymore."


Problem - How to show a series of small moments that lead up to her waking up to reality?  


Maybe end it with the girl still clinging to illusion, the same way her BF continues to cling to a guru who is obviously fake. 

Saturday, May 24, 2014

Writing The Perfect Scene: Advanced Fiction Writing Tips

Writing The Perfect Scene: Advanced Fiction Writing Tips:



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The Writing Café - HUGE list of writing links to revisit

The Writing Café:



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Third person and deep POV

Been trawling the net, desperate to find a copy of Fallen, a short story by Alicia Gifford. One of the most perfect pieces of flash fiction I've ever read. 

Note to Self - when you fall in love with a piece of fiction, make a COPY.  Don't just paste in a link to the old magazine issue and assume you'll be able to find the story 2 years later.

SOB

This morning I found and read another piece by Gifford - After the Fire

Liked the way Gifford doesn't always use dialogue marks or tags, the way it added to a deep 3rd person POV, a feeling of momentum.

I've also seen writers strip away marks and tags when there's only a few lines of dialogue - so the dialogue doesn't take on more significance than it should

Want to experiment with this for draft no. 1057 of the WIP.



He reaches for the bong and knocks it over so that the stinky water empties onto his sofa. Just then the phone rings and it's his brother David on the caller ID.Fuck! But he picks up as he heads to the kitchen for a towel.
Has Tante Risa called you? David asks.
No. Why?
Oh, David says. God, she's supposed to call you.
Lenny has to steel himself. He can't help it. He accepts that his brother is gay, but does he have to talk all mincey like that? Is it required?
Anyway, David says, Mother has to go to an assisted living place. It's time.
The kitchen towels are wadded on the floor in a mildewed stink. The last paper towel slides off the roll. He grabs some dirty underwear from the laundry hamper and goes to mop up the bong water while David tells him how their mother wandered to the 7-Eleven half-naked and that the cops had to detain her like that until they located him.
You left her home alone?
Anna was taking a little siesta. I think she drinks.
Mom?
Anna.
There's one more swallow left of tequila, and a bottle of Manischewitz cherry wine in his cupboard. He slugs down the tequila and tears at the seal of the wine bottle while David tells him he's checked into a number of places and it would cost them each about $2,500 a month.

Saturday, April 12, 2014

Prompt from Terribleminds


Prompt from Check Wendig - 'Come up with a great opening line' Maybe one day I'll come up with great opening lines. 

http://terribleminds.com/ramble/2014/04/11/flash-fiction-challenge-the-return-of-the-opening-line-contest/

_________

Every morning the Genie begged her to make a wish, but Rhonda couldn't decide, couldn't choose.

Friday, March 28, 2014

Short story - starting

Found some simple advice about short story structure. Lets try this with the 'house' story: 
  1. Dramatic start (scene)
  2. Decisive sequel
  3. Surprising middle (scene)
  4. Satisfying end (scene)
Note - sequels are less than half the length of scenes 

Hmm - only 1 sequel in a short story? And does the opening need to be 'dramatic' - maybe it needs to be compelling (raises questions, intrigues you) without necessarily being jaw dropping dramatic.

Must check out some short fiction and see how many times I can tick the 4 boxes.

The house story -

For inspiration I'll construct the opening around the prologue from a military sci-fi novel. I see a powerful alien bad guy confronting a human engineer. 

And I'll write out some cool moments based on the true story. Focus on conflict and writing dialogue to try and find the characters. Then shuffle stuff around to find connections - see which part of the story a scene or moment belongs to.

Sudden inspiration this morning about using the symbol of the tattoo. In the ending the engineer reveals his own tattoo - shows he's switched sides. And I can see how to raise the stakes - the defeat of the Bad Alien means the future will be different for other races   :   )











Saturday, February 1, 2014

Strange Horizons Fiction: The Serial Killer's Astronaut Daughter, by Damien Angelica Walters


Another fantastic story on Strangehorizons. I should make a donation to this wonderful magazine this year.

Great use of First person POV / Present tense. I like the edgy humour, the beautiful tight wording. The way the dialogue brings characters to life. The stunning TITLE for this story. How could you read the words 'The Serial Killer's Astronaut Daughter' and NOT want to read on?

I checked the author's website and was surprised to find some other work that sits in the Horror camp. A couple of other pieces I read were a lot darker than this. Then again, there's a dark and interesting undertow in this story.

Strange Horizons Fiction: The Serial Killer's Astronaut Daughter, by Damien Angelica Walters:

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Sunday, December 22, 2013

Part 5 of 5 part story challenge

Final part of fantastic story prompt from Chuck Wendig - Flash Fiction Challenge - 200 words at a time - part five

Silk 
Part 1 by   murgatroid-98    Part 2 -  LC Hu    Part 3Jeremy Podolski    
Part 4 (and story title) - Meagan Wilson
Part 5 by Yours Truly   


Saturday, December 7, 2013

Part 3 of 5 part story challenge

Part 3 of fantastic story prompt from Chuck Wendig
Flash Fiction Challenge - 200 words at a time - part three


A Gifted Wizard 

Part 1 by  Andrew Linder - Part 2 by  Caitlin McColl

Part 3 by yours truly - 


Saturday, November 30, 2013

Part 2 of 5 part story challenge

Part 2 of fantastic story prompt from Chuck Wendig
Flash Fiction Challenge - 200 words at a time - part two read more


Millions of Cats

First 200 words by Rebecca Douglas

Things never worked out according to plan when there were cats involved.  I knew that, and I should have known better than to take the job.  Either don’t try to plan or stay far from cats, and I knew which would have been better for me.  But Keelan made it all sound so easy: we just had to pick up the consignment from Alpha-Centauri 4 and take them to Exilion 17. Four days, max, and two of them in hyperspace.